🔺The New Yorker about Odesa Nolan: A good cinematic adaptation is not necessarily a photo-reversal of literature

▪Richard Brody, film critic of the magazine “The New Yorker”, examines the film “Odesa” by Christopher Nolan and raises the long-standing debate about the relationship between cinema and literature and the meaning of “fidelity” in a cinematic adaptation. He says the value of an adaptation cannot be measured solely by the extent to which it adheres to the original text.